The comment below is from Marcus Moore, a former fellow BBC scriptwriter who has worked for the last three decades as a freelance writer, theatre practitioner and arts consultant. It’s a summary of how Conservatives have corrupted the BBC
The Duke of Hazzard – a flashback to the Thatcher era
I also used to write scripts for the BBC’s Community Programme Unit when I was very young, green and unreservedly creative. I witnessed Marmaduke Hussey’s appointment as Chairman of the BBC’s Board of Governors in 1986, following the death of Stuart Young. His appointment – which was not so much about cleaning out the Augean stables, but rather more about downsizing and refurbishing them – was thanks in part to his close connections to Margaret Thatcher’s Conservative Party. He “steered” the corporation through a period when there was pressure from the Conservative government to do so – it was being heavily criticised for its perceived left wing bias.
Conservatives always make this claim, Boris Johnson and Iain Duncan Smith more recently in 2012, set about “monitoring” the BBC for “left wing bias”. For Conservatives, the more things change, the more they must be made to stay the same.
What we are left with is reporting that is simply structured along the lines of government announcements. That’s not analysis and news, it is a publicly funded PR and strategic communcations service for an authoritarian government, which clearly sidesteps public interests and any idea of democratic accountability.
September 1986 Hussey received a call from the then home secretary, Douglas Hurd, offering him the chairmanship of the BBC governors.
The corporation was under constant attack from right wing politicians such as Norman Tebbit and Jeffrey Archer and apparently a constant goad to Margaret Thatcher, infuriated daily by the alleged “pinkoes” running the Today programme.
Only those close to the newspaper business had heard of this former chief executive of Times newspapers, he was notable for leading the company into a confrontation with the trade unions, with the support of William Rees-Mogg, then editor of The Times. They decided on a “big bang” solution, shutting down the newspapers in an effort to bring the unions to heel. Convinced that such shock tactics would cause almost instant capitulation, Hussey and his colleagues had devised no strategy on how to proceed if that did not happen. The closure lasted 50 weeks and, when the papers did finally return, the basic issues remained unresolved. The confrontation ended in ignominious defeat, and eventually, to the acquisition of The Times and Sunday Times by Rupert Murdoch.
An anonymous briefer at Conservative Central Office said at the time that Hussey’s job was “to make it bloody clear” that change was urgently required; he was “to get in there and sort it out”. Hurd subsequently denied issuing a brief, telling Hussey he would find out what he had to do when he got to the BBC. All the same, Duke went in the BBC awaiting further instructions.
Within three months of joining the BBC, he had forced the resignation of the director-general, Alasdair Milne – father of Guardian journalist and Corbyn advisor, Seumas Milne – following a series of rows between the BBC and the Conservative government. Milne wasn’t a socialist by any means, but he had represented the more independent spirit of BBC programme making at that time.
In the 1990s, Hussey also ended up in conflict with director general John Birt over his management style and Panorama’s controversial interview with Diana, Princess of Wales in 1995. It was said that Thatcher had installed Hussey to “sort out” the BBC. Such is the language of authoritarians who don’t like to be held to account.
Those of a less constrained New Right Conservative view saw Hussey as an illiberal Frankenstein and John Birt as his pet monster. They were devastated by the chairman’s lack of interest or skill in intellectual argument and his readiness to make big decisions on a basis of ignorance or prejudice. Conservative through and through.
Toeing the party line: Conservative bias
In 2016, a study by Cardiff University’s School of Journalism, Media and Cultural Studies revealed that the BBC has a “high dependency” on the Conservative Party for statistics. The study was used by the BBC Trust to conduct a report called ‘Making Sense of Statistics’, and confirmed that the Conservatives are responsible for three-quarters of the statistics that the BBC receives (and thus presents to the public) from political sources. This is extremely problematic as the Conservatives have been formally rebuked by the UK Statistics Authority on many occasions for using misleading or manufactured statistical data to justify ideologically driven policies, which reflect a neoliberal hegemony.
The BBC Trust report once again calls the impartiality of the BBC into question, and states that the corporation should not be so content with reporting statistics “straight from a press release”. It also concluded that the BBC has failed to “go beyond the headlines”. The report went on to say:
“The content analysis demonstrates that there is an especially high number of political figures providing statistical information on BBC [output],” said the report. “And Conservative politicians represented nearly three-quarters (73%) of these statistical references.
“BBC journalists need the confidence and skills to go beyond headlines, and to challenge misleading claims.”
“It is reasonable to expect the BBC to cover statements which the UK or devolved governments make. […] However, as Cardiff’s content analysis points out, it does make it vital that those statements are challenged where necessary so that the impartiality of the BBC’s coverage of political affairs is not affected.”
The analysis by Cardiff University found that there were “many instances” where quotes and statistics given to the broadcaster from the Conservative government were simply reported with a complete failure to fact-check and scrutinise the information or even question and challenge it on “any fundamental level”. The Conservatives are effectively handing the BBC a script to read from.
At the same time, the Government has perpetuated a myth that the BBC has a “left wing bias”. It’s a claim that has allowed the Conservatives and right wing to police the corporation and set the wider political agenda. For its part, the BBC has become fearful of crossing certain lines, and so remains generally complaint, and toes the party line.
Many of BBC journalists have Conservative party connections and most of its panelists are from the neoliberal centre right. They not only fail to comprehend and appreciate Jeremy Corbyn’s anti-neoliberalism and promise of policies that provide long overdue priority and support for ordinary citizens, they seem to loathe and fear it.
The BBC’s political output has long had more than its fair share of Conservatives in prominent roles – none more so than Andrew Neil, who previously worked for the Conservative’s Research Department and who now chairs the holding company that owns the Daily Telegraph and the Spectator. It is unusual for any broadcaster, whether left or right wing, to dominate political coverage as much as Neil does on the BBC, who fronts the weekday Daily Politics show and presents his own programmes on Sunday mornings and Thursday evenings.
The appointment of Robbie Gibb as May’s director of communications was unsurprising; he was treading a well-worn path, after all. May’s predecessor David Cameron appointed the then head of BBC TV News, Craig Oliver, to be his director of communications and before him the then Conservative Mayor of London, Boris Johnson, appointed Guto Hari, a BBC political correspondent, to head of his media team.
The news that two BBC men were lined up for those positions came at a time when the BBC faces unprecedented criticism from the left for its heavy Conservative bias. Quite properly so. While the Labour party naturally expect negative reporting from a press that is overwhelmingly aligned to the Conservatives and owned by billionaires, many of us have been shocked and appalled by the poor, inaccurate and often hostile coverage the party have received from the BBC, which is now seen as a pro-status quo, pro-establishment organisation.
A succession of senior BBC journalists have accepted that the Corporation’s political coverage struggles to escape the Westminster bubble, which is perhaps one reason why the BBC’s coverage of the last two general elections and the Brexit referendum failed to adequately reflect the national mood (though the BBC was far from being alone in this failing).
The BBC’s political editor, Laura Kuenssberg, has been a particular focus of criticism from Labour party supporters, and was found to have breached the BBC’s impartiality rules in an early and important report on Corbyn. This was intentional, and designed to mislead the public. The broadcaster’s regulator concluded that a Kuenssberg report for the News at Six programme in November 2015 breached the broadcaster’s impartiality and accuracy guidelines, in a ruling that triggered an unreasonably angry response from the corporation’s director of news.
The News at Six item included a clip of the Labour leader stating: “I am not happy with a shoot-to-kill policy in general. I think that is quite dangerous and I think can often be counterproductive.”
The person who made the complaint is not named, but clarified that it was from neither Corbyn nor “anyone else on his behalf”. The complaint said that the news report misrepresented the Labour leader’s views on the use of lethal force and that it had wrongly suggested he was against the additional security measures which the item had said the Government was proposing. The Trust found that the inaccuracy was “compounded” when Kuenssberg went on to state that Corbyn’s message “couldn’t be more different” to that of the prime minister, who was about to publish anti-terrorism proposals.
Kuenssberg had disgracefully presented that as Corbyn’s response to a question put to him on whether he would be “happy for British officers to pull the trigger in the event of a Paris-style attack”, but as the Trust also concluded, Corbyn had been speaking in a different context. Kuenssberg intentionally edited an interview to give the incorrect impression that Corbyn disagreed with the use of firearms by police in incidents such as that month’s terrorist attacks in Paris. His purported answer to a question as broadcast in the report was in fact his reply to a more general (unbroadcast) question, not specifically about that terrorist attack. The Trust said that accuracy was particularly important when dealing “with a critical question at a time of extreme national concern.”
It’s impossible to see this as anything other than an attempt to deliberately mislead the public regarding Corbyn’s views. That she wasn’t dismissed indicates just how little the BBC prioritizes and values accuracy, genuine “objectivity” and “impartiality”. Furthermore, the doctored interview was not taken down from the BBC‘s site for some time, with Conservative MPs continuing to Tweet it.
Sir Michael Lyons, who chaired the BBC Trust from 2007 to 2011 and is a former Labour councillor, said that there had been “some quite extraordinary attacks on the elected leader of the Labour party”.
In 2016, he told the BBC’s The World at One: “I can understand why people are worried about whether some of the most senior editorial voices in the BBC have lost their impartiality on this.
“All I’m voicing is the anxiety that has been expressed publicly by others … We had here a charter review process which has been littered with wild kites flown which, we can’t see the string is held by the secretary of state, but the suspicion is that actually it’s people very close to him.
“His own comments have suggested that he might be blessed by a future without the BBC. Is the BBC strong enough to withstand a challenge to its integrity and impartiality?”
Lyons said there were “very real suspicions that ministers want to get much closer to the BBC, and that is not in anybody’s interests”. Corbyn told grassroots supporters that it was necessary for Labour to use social media to communicate with the public, because right wing media were censoring political debate in an unprecedented assault on the party. He is absolutely right.
The commodification of politics and the PR narrative
Vance Packard’s influential 1957 polemic, The Hidden Persuaders, described how “political hucksters” were now treating voters as spectator-consumers, not much interested in politics or its content, able to be roused only by controversy, stunts and personality. This approach seemed justified, Packard wrote, “by the growing evidence that voters could not be depended on to be rational. There seemed to be a strong illogical or non-logical element in their behaviour, both individually and in masses” (Packard 2007).
As Packard discovered in his research, this had been happily accepted by the commercial world which was abreast of the new approach – and which was exporting its techniques to the political communicators. He quotes an editorial in an early 1956 edition of the magazine The Nation’s Business, published by the US Chamber of Commerce, which reported: Both parties will merchandise their candidates and issues by the same methods that business has developed to sell goods […] no flag-waving faithfuls will parade the streets. Instead corps of volunteers will ring doorbells and telephones […] radio spot announcements and ads will repeat phrases with a planned intensity. Billboards will push slogans of proven power […] candidates need […] to look ‘sincerely at the TV camera’. (Packard 2007).
It was an early intimation of the replacement of political parties (the “faithfuls”) by public relations, a movement which has since advanced. Politics has been reduced to brand, reputation management and ‘strategic communications’.
More recently, the Leveson inquiry concluded that politicians “developed too close a relationship with the Press in a way which has not been in the public interest.” Public relations professionals are charged with organising media space, engagements and ensuring that their political candidate’s public profile stays positive.
Robbie Gibb, who headed the BBC’s political team at Westminster, is Theresa May’s new Director of Communications ( Robbie Gibb/Twitter ).
In its election manifesto in 2010 the Conservative party promised to give the National Audit Office “full access” to the BBC‘s accounts in order to make the corporation more accountable for the way it spends the licence fee.
Jeremy Hunt said that the BBC Trust, which replaced the corporation’s board of governors in 2007, had to change and that the Tories were considering “ripping up the charter” ahead of its expiration in 2016 to achieve its plan.
The encroaching government influence on the BBC became more visible to the public in 2016, when the then culture secretary was accused of attempting to “bend the BBC to his political will” after it emerged he planned to have the government directly appoint most members of a new body to run the corporation.
Despite the early rhetoric about abolishing the trust, the then Culture Secretary, Jeremy Hunt, said he would only act “within the envelope set by the Royal Charter”, so major changes were not possible until the Charter expired after the end of 2016. Hunt had instead expressed his support for changing the name of the Trust and installing a new non-executive chairman on the BBC’s Executive Board.
The proposal to scrap the Trust was officially presented to Parliament as part of a charter review white paper on 12 May 2016. Governance of the BBC was transferred to the new BBC Board in April 2017. Sir David Clementi became the new Chairman of the Board.
John Whittingdale said only two or three members of a 13-strong unitary board, which would replace the ‘discredited’ BBC Trust model, would be BBC executives while the rest would be government appointees.
In 2016, the BBC’s director general, Tony Hall, had already flagged his concerns about the Clementi proposals for replacing the BBC trust with the unitary board. In a speech , Lord Hall pointed out that unlike any previous governing body, the unitary board would set the editorial direction of the whole BBC. Neither the trust nor its predecessor – the BBC governors who oversaw the corporation from its founding until 2005 – had such powers.
Hall warned: “It will make key decisions on programmes and services, and it will work with me – as editor in chief – on how we manage our impartial journalism. It doesn’t feel to me that these tasks should be undertaken by government-appointed board members. The BBC is one of the world’s great public service broadcasters – not a state broadcaster. A strong, sustainable BBC needs new safeguards for independence, not yet more erosion.”
It’s another symptom of how oppressive the government has become, and how apparently acceptable it is to attack, discredit and threaten anyone who even looks as though they may presents a challenge, a criticism or an alternative perspective to threaten an increasingly authoritarian status quo.
Churnalism and the PR-isation of the news and public affairs
One time BBC Economics Editor Robert Peston – regarded as being among the most authoritative journalists in the UK – publicly lamented his profession’s increasingly “hideous and degrading” reliance on PR material.
“When I worked on the Sunday Telegraph a decade ago, the fax machine was strategically placed above the waste paper basket so that press releases went straight into what we called the round filing cabinet. Now newspapers are filled with reports based on spurious PR generated surveys and polls, simply to save time and money … More disturbing, perhaps, PRs seem to have become more powerful and effective as gatekeepers and minders of businesses, celebrities and public or semipublic figures … today’s PR industry has become much more machinelike, controlled – and in its slightly chilling way – professional (Peston 2014).
Roy Greenslade, professor of journalism and former Daily Mirror editor, reports similar tensions when he writes, in 2012, that “if the current trends [of more PR practitioners] continue, we will end up without the essential ‘media filter’ [of journalism] that … acts at its best on behalf of a public deluged with self interested public relations material”. He continues: “What we’re talking about here … is an assault on democracy”.
Both of these sentiments capture a zeitgeist of the state of journalism and PR in neoliberal democracies such as the UK and USA, and represent an issue that has moved up academic, public and professional agendas of concern in the last 10-15 years. This is commonly described as ‘churnalism’, which is characterised by a swelling PR industry, blurring job roles and a growing colonization of PR mindsets amongst journalists.
Here, churnalism – the use of unchecked PR material in news – is an outcome of the broader process of structural and professional change, and conflicting interests. PRs want the best possible news coverage for their paying clients, the occupational ideals of journalism are inter alia, “focus on truth, social reporting and democratic education”. Or at least they were.
Add to that the neoliberal turn: an economic model that has led to the marketisation of news and in turn, of journalism practices. What we witness is less original investigation, and more reactive journalism by way of writing up agency copy or PR material. The now habitual incorporation of media releases and other PR material into the news by journalists is not a new phenomenon, but the change in the scale and regularity in which this is now happening is.
A number of recent studies in the UK and US have established the success of PR practitioners in placing subsidies with news media to influence the media agenda, in turn influencing public opinion and the public agenda. There is significant political power to be exercised in both agenda setting and in the framing of news. Power is present in conceptions of agenda-building in media narratives and public discourse.
There is a climate of growing concern about ascendant PR and journalism in crisis. It should be of central concern that there has been a rapidly growing influence of PR and ‘communication’ professionals in the newsgathering and reporting process, and the consequent diminution of editorial independence and watchdog journalism in the UK.
Studies describe government and political press officers as “increasingly assertive in their relationships with journalists”, not just in terms of information management, but often, to the point of manipulation and aggression.
In truth, the BBC struggles to maintain independence from governments, who set the terms under which it operates, they appoint its most senior figures, who in future will be directly involved in day-to-day managerial decision making, and they set the level of the licence fee, which is the BBC’s major source of income. So given this context within which the BBC operates, it hardly amounts to independence in any substantive sense.
Critics can also point to a number of senior BBC figures with known Conservative associations. The Today presenter and former political editor, Nick Robinson, is a former president of Oxford University’s Conservative Association. James Harding, who as director of news has reputedly centralised the BBC’s news operations, is a former editor of The Times, and the BBC’s high profile political presenter, Andrew Neil, is well known as a right-winger, having briefly worked for the Conservative Party before making his name in Murdoch enterprises.
Robbie Gibb, the frontrunner to be the Tories’ new Alastair Campbell, is Andrew Neil’s editor at the Daily Politics. He is also the brother of Tory Minister Nicholas Gibb. Two senior Tory Ministers are also ex-BBC: Chris Grayling and Michael Gove.
Then there are the declared interests of the Westminster bubble journalists. For example, Andrew Gimson, who is contributing editor of Conservative Home, is a commentator for the BBC, Associated Newspapers, the New Statesman, and he is also an associate consultant for a PR and political lobbyist consultancy, Lodestone Communications. He specialises in interviewing Cabinet ministers and other Conservative politicians, and wrote Boris Johnson’s biography. He started his career in the Conservative Research Department and has served as Deputy Editor of the Spectator, political columnist at the Independent on Sunday, and Berlin correspondent for the Daily Telegraph.
BBC political editor/commentator Laura Kuenssberg’s declared interests are: Journalism for The House Magazine. Speaking for Credit Suisse and Ernst and Young (registered July 2017). Chaired events for Intelligence Squared (debate/think tank) and Mischon (law firm), speaking for Healthcare Management Association (membership organisation) and JP Morgan (bank) (registered March 2018).
Timothy Shipman of the Sunday Times, and also commentator for Sky News, BBC Daily Politics and Sunday Politics, Radio 5 Live, LBC and Talk Radio. Paper Reviewer for BBC News Channel. Freelance journalism for The Spectator and the New Statesman. Under contract to Kirby Jones, a speaker agency, for public speaking. Fees received from the following for speaking engagements, most arranged via Kirby Jones: Artemis Asset management, Association of British Insurers, Axon Moore, Bain & Co, Bank of America Merrill Lynch, British Bookmaker’s Association, Housing 2017, Independent Schools Bursar’s Association, the Legatum Institute, Oakhill Communications, Owen James Group, Policy Connect, Portland Communications, the Publishers Association, Westminster Policy Institute.
Then there is Andrew Neil. His declared interests are as follows: Chairman, Press Holdings Media Group (The Spectator, Spectator Health, Life, Money and Australia; and Apollo, the international arts magazine). Chairman, ITP Magazine Group (Dubai). Chairman, The Addison Club (London). Director, Glenburn Enterprises Limited (provides media and consultancy services). Fees for speaking at, hosting or chairing an event were received from the following organisations: IBC (annual trade fair for global broadcasters); Credit Services Association (industry body for credit services and debt collection); Jefferies (investment bank); Pega Systems (Boston-based software provider); KPMG (global financial services); Construction News (publication for the construction industry); British Growth Fund (provides long-term capital to fast-growing UK companies); Association of Pension Providers (trade body for pensions industry); Retail Motor Industry Association (represents vehicle dealers); Chairman’s Group (private association of company chairmen); HSBC (global bank); White & Case (city law firm); Aberdeen Asset Management (global asset management); Exponent (private equity company); Christie & Co (property advisory service); Mayer Brown (global law firm); Titlestone (property finance company); Knight Frank (global estate agent); EY (global accountancy and consultancy service); Chartered Institute of Procurement and Supply (trade body which provides support for procurement and supply management); Pipeline Industries Guild (trade body for pipeline industries); SES (European satellite provider); Barnet Waddington (provider of actuarial, administration and consultancy services); Digital TV Group (association of digital TV broadcasters); BNP Paribas (global banking group); Philadelphia Committee on Foreign Relations (group of private individuals based in Greater Philadelphia area interested in foreign policy); Raymond Jones (financial services company); Incisive Media (information and events business). (Registered June 2017).
Holders of photo-identity passes as lobby journalists accredited to the Parliamentary Press Gallery or for parliamentary broadcasting are required to register:
‘Any occupation or employment for which you receive over £760 from the same source in the course of a calendar year, if that occupation or employment is in any way advantaged by the privileged access to Parliament afforded by your pass.’
When the global financial system went into meltdown, BBC interviews were dominated by City voices such as stockbrokers and hedge fund managers, rather than critics of a sector that had plunged the country into disaster. It’s not much of a surprise, however, in view of some of the listed interests of BBC personnel.
A certain kind of political-economic ‘common sense’ is constructed and negotiated amongst the political-media elite. The fact that this elite often share common private interests is also problematic. This raises serious questions about the capacity of the media to hold the government to account, to understand contemporary democratic politics, let alone entertain the idea of public interests.
Recent BBC coverage of the local elections was essentially a one party state broadcast. Labour were presented as “failing” to take seats. Yet the figures tell us a different story. While the results could have been better for Labour, the party did not do badly at all. Labour gained 77 seats and the Conservatives lost 33 seats overall.
There is no demarcation between corporate, media and government interests. Nick Robinson, former president of Oxford University’s Conservative Association, Kuenssberg and Neil are often held as the conspicuous examples of those promoting neoliberal-Conservative norms. However, those interests are reflected throughout the BBC’s reporting, including those who regularly make editorial decisions, which as study after study has shown, overwhelmingly defers to officialdom and upholds powerful private interests at the expense of public interests. The revolving door between consultancy/strategic communications/ PR companies, the media and the Government indicates the existence of a set of shared narrow norms and an ideological crib sheet.
The narrowly shared understanding of ‘politics’ among an elite of Conservative politicians, big business, the communications and PR industry, news maker sand opinion shapers is not only enormously unrepresentative of the public, but it also displays an increasingly tenuous grasp on broader democratic political reality.
The BBC was accused of “extreme bias” after it featured the altered image of Jeremy Corbyn against the Kremlin skyline during a segment about escalating tensions between the UK and Russia on Newsnight, despite presenter Evan Davies’ attempts to justify its use. The Labour leader was depicted wearing a Russian Bolshevik cap against a red-tinted backdrop of the St. Basil’s Cathedral while Ayesha Hazarika, former special advisor to Ed Milliband, and Corbyn ally Chris Williamson MP, were being interviewed about the Government’s response to the Skripal poisoning.
The BBC backdrop embeds a codified message to viewers that is almost subliminal, especially as it was presented on the same day that newspapers like the Daily Mail ran with such headlines as ‘CORBYN, THE KREMLIN STOOGE’.
The image that the BBC claimed to have used and not edited, was taken in 2016 and if you compare the two, there is certainly a red hue that has been applied along with lowerng the contrast and tightening the aspect ratio, which make Corbyn’s clothes appear darker.
This changes the look of the hat he is wearing, which makes it look more like a Russian ushanka hat, whilst there are noticeable differences in the ‘Newsnight’ image and an ushanka, to those who aren’t paying a massive amount of attention to the backdrop or are unable to see a comparison, it would certainly look like one on first look.
The BBC have rejected the criticisms of their programme while acknowledging they did edit the image, by saying that they previously did a similar mock up of Gavin Williamson on the same programme.
However, it is the context and framing that matters, as I am sure the BBC is very much aware.
Recently, the BBC disclosed a shocking revelation, in an article titled: ‘The vetting files: How the BBC kept out ‘subversives’’ . Left wing individuals were actively vetted by MI5 and barred from holding positions of influence within the Corporation.
The article says that the purpose of the MI5 vetting candidates for political roles within the BBC was to prevent the formation of a left wing government, stating: “The fear was that ‘evilly disposed’ engineers might sabotage the network at a critical time, or that conspirators might “discredit” the BBC so that ‘the way could be made clear for a left-wing government’”.
Portraying Her Majesty’s opposition as “subversives” and “conspirators” has some profound implications for democracy. However, it is still happening – the Labour party are portrayed by the incumbents as pathological, rather than as an essential mechanism of a wider functioning democracy.
For decades the BBC denied that job applicants were subject to political vetting by MI5. But in fact vetting began in the early days of the BBC and “continued until the 1990s”. Paul Reynolds, the first journalist to see all the BBC‘s vetting files, tells the story of the long relationship between the corporation and the Security Service.
“Policy: keep head down and stonewall all questions.” So wrote a senior BBC official in early 1985, not long before the Observer exposed so many details of the work done in Room 105 Broadcasting House that there was no point continuing to hide it.
By that stage, a policy of flatly denying the existence of political vetting – not just stonewalling, but if necessary lying – had been in place for five decades.
As early as 1933 a BBC executive, Col Alan Dawnay, had begun holding meetings to exchange information with the head of MI5, Sir Vernon Kell, at Dawnay’s flat in Eaton Terrace, Chelsea. It was an era of political radicalism and both sides deemed the BBC in need of “assistance in regard to ‘communist’ activities”.
“Formalities” was the code word for the vetting system
A memo from 1984 gives a run-down of organisations on the banned list. On the left, there were the Communist Party of Great Britain, the Socialist Workers Party, the Workers Revolutionary Party and the Militant Tendency. By this stage there were also concerns about movements on the far right – the National Front and the British National Party.
A banned applicant did not need to be a member of these organisations – association was enough.
Over the years, some BBC executives worried about the “deceptive” statements they had to make – even to an inquisitive MP on one occasion. But when MI5 suggested scaling back the number of jobs subject to vetting, the BBC argued against such a move. Though there were some opponents of vetting within the corporation, they had little influence until the Cold War began to thaw in the 1980s
These revelations completely dismantle the idea that the BBC has ever been a passive, impartial, politically neutral entity.
Of course, as I’ve outlines, the undue political influence on the BBC becomes clear when we investigate the backgrounds of prominent and influential BBC political figures. There’s arecurring pattern, with direct links to the Conservative party.
Owen Jones says “The main thing I’ve learned from working in the British media is that much of it is a cult. Afflicted by a suffocating groupthink, intolerant of critics, hounds internal dissenters, full of people who made it because of connections and/or personal background rather than merit.”
The Intellgience services have always worked to prevent a Labour government. Who could forget the fake Zinoviev letter, which was engineered by the establishment using the military and intelligence services to destabilise the first Labour government.
Britain’s most senior security and intelligence officials discussed the smearing of the Labour party just as it was emerging as a major political force according to previously secret documents. The potential repercussions of attempts by the intelligence agencies to damage the Labour party were debated at length by the little-known Secret Service Committee, later research – now released at the National Archives – shows.
Noam Chomsky once said: “The smart way to keep people passive and obedient is to strictly limit the spectrum of acceptable opinion, but allow very lively debate within that spectrum – even encourage the more critical and dissident views. That gives people the sense that there’s free thinking going on, while all the time the presuppositions of the system are being reinforced by the limits put on the range of the debate.” It’s going down.
Dr Lawrence Britt wrote about the defining features of authoritarianism, fascism and totalitarianism. He outlined that among the key characteristics of a fundamnetal shift away from democracy is political censorship through a controlled mass media. He says that the media is either directly controlled by the Government, or indirectly controlled by government regulation, sympathetic media spokespeople and executives.
It’s a very sobering thought that the British Broadcasting Corporation currently fulfils all of those criteria.
Democracy has been profoundly compromised and corrupted by its colonisation. Lobbyists, professional private interest propagandists, corporate and financial power have merged with the state, and are all singing from the same crib sheet.
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